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Chelys is now out of print

Chelys

 

  CHELYS vol. 32 (2004) is the final issue in its current form. Journals after volume 32 are now produced in eletronic form only and called The Viola da Gamba Society Journal (the name Chelys will refer just to the 32 journals issued 1969-2004).

CHELYS BACK ISSUES
We no longer have any back issues available. We are trying our best to scan and upload missing volumes. If you are after a particular one that is missing here, please contact us.


  Volume 1 (1969) - (download.pdf - 1.6Mb)
 
CONTENTS (click to open and close)
Andrew Ashbee Article 1: John Jenkins's Fantasia-Suites for Treble, two Basses and Organ
Arthur W. Marshall Article 2: The Viola da Gamba Music of Godfrey Finger
Marco Pallis Article 3: The Instrumentation of English Viol Consort Music
Gordon Dodd Article 4: The Coperario-Lupo Five-part Books at Washington
Gordon Dodd Note 1: Coperario or Bull?
Marco Pallis Note 2: Jean Rousseau and the Privilege du Roi
Gordon Dodd Note 3: Bells
Richard Andrewes Book Review: Peter Le Huray, Music and the Reformation in England 1549-
  1660
  Volume 2 (1970) - (download.pdf - 1.8Mb)
 
CONTENTS (click to open and close)
Andrew Ashbee Article 1: John Jenkins's Fantasia-Suites for Treble, two Basses and Organ
Carolyn Coxon Article 2: Some Notes on English Graces for the Viol
Anthony Woodford Article 3: Music for Viols in Tablature: manuscript sources in the British
  Museum
Richard Nicholson Music review 1: Jenkins and Musica Britannica XXVI
Francis Baines Article 4: Fantasias for the Great Double Base
Carolyn Coxon Book review 1: Christopher Simpson: A Compendium of Practical Music in
  Five
Gordon Dodd Parts. Ed. Phillip Lord, Oxford, 1970
  Book review 2: Pamela J. Willetts. A Handlist of Music Manuscripts acquired
  1908-1967. London, 1970
Andrew Ashbee Book review 3: R. W. Ketton-Cremer. Norfolk in the Civil War. A Portrait of a
  Society in Conflict. London, 1969
Anthony Woodford Music review 3: David Greer. Twenty Songs from Printed Sources-The English
  Lute-Songs, 2nd series, vol. 21. London, 1969
   
  Volume 3 (1971) - (download.pdf - 750Kb)
 
CONTENTS (click to open and close)
Content
John M. Jennings Article 1: The Fantasies of Thomas Lupo
Collette Harris Article 2: Tobias Hume-a short biography
James Whittaker Article 3: As Others Saw Us
Gordon Dodd Article 4: The Chest of Viols reconsidered
Christopher D. S. Book review: Rosamond E. M. Harding, A Thematic Catalogue of the Works of
Field Matthew Locke
Michael Hobbs Music review 1: William Byrd. Collected Works. Vol. 15. Consort Songs for
  voice and viols. Edited by Philip Brett. £4.75. London, Stainer & Bell, 1970
Joan Wess Music review 2: Michael East. Eight Fantasies of Five Parts (1610) £1.50.
  London, Stainer & Bell
   
  Volume 4 (1972) - (download.pdf - 1.4Mb)
 
CONTENTS (click to open and close)
Margaret Crum Article 1: The Consort Music from Kirtling, bought for the Oxford Music School
  from Anthony Wood, 1667
David Pinto Article 2: William Lawes' Consort Suites for the Viols, and the autograph
  Sources
Collette Harris Article 3: The Viol Lyra-Way
Carl Hugo Ågren Article 4: The Sound of Viols
Desmond Dupré Book review: Diana Poulton, John Dowland
Anthony Woodford Music review 1: William Byrd. Collected works. Vol. 17. Consort Music, ed.
  Kenneth Elliott
Rosamond E.M. Music review 2: Matthew Locke: Chamber Music: I, II, Musica Britannica XXXI,
Harding XXXII, ed. Michael Tilmouth
Michael Hobbs Music review 3: Jacobean Consort Music for recorders or viols, selected from
  Musica Britannica IX: Books 3 and 4; Invitation to Madrigals 5, ed. Thurston
  Dart
  Volume 5 (1973-4)  - (download.pdf - 3.1Mb)
 
 CONTENTS (click to open and close)
Richard Charteris Article 1: A Rediscovered Source of English Consort Music
Margaret Urquhart Article 2: Prebendary Philip Falle (1656-1742) and the Durham Bass Viol
  Manuscript A. 27
Nathalie Dolmetsch Article 3: Of Bridges and Fingerboards
Andrew Ashbee Article 4: A Further Look at Some of the Le Strange Manuscripts
Gordon Dodd Article 5: A Study in Consort Interpretation: William Lawes: Six-part Consort
  Suite No. 2 in C
Marco Pallis Article 6: Mabel Dolmetsch. Born 6 August 1874
Peter Holman Article 7: Preliminary Checklist of Music for One or More Bass Viols with or
  without continuo Printed before 1800
Peter Walls Article 8: Lyra Viol Song
Kenneth M. Skeaping Book review 1: Francis Baines: Tutors for the Treble, Tenor and Bass Viol
  (Consort)
Rosemary Weigand Book review 2: Carl Parrish and John F. Ohl: Masterpieces of Music before
  1750
Anthony Woodford Book review 3: Early Music: Volume 1 (nos. 1-4), 1973
Anthony Woodford Book review 4: RILM Abstracts, Cumulative Index 1-4, 1967-1971
Michael Hobbs Music review: William White. Diapente: Two Fantasies à 5
  Volume 6 (1975/76) - (download.pdf - 6.7Mb)
 
CONTENTS (click to open and close)
Gordon Dodd William Lawes: Royall Consort Suite No. 9 in F
Peter Holman The 'Symphony'
Andrew Ashbee Music for Treble, Bass & Organ by John Jenkins
Robert Donington James Talbot's Manuscript: Bowed Strings
Tim Crawford An Unusual Consort Revealed in an Oxford Manuscript
Mark Caudle The English Repertory for Violin, Bass Viol & Continuo
  Volume 7 (1977) - (download.pdf - 6.3Mb)  
 
CONTENTS (click to open and close)
David Baker The Instrumental Consort Music of Robert Parsons
John Bennett & Richard Mico
Pamela Willetts  
Gordon Dodd Alfonso Ferrabosco II: The Art of the Fantasy
Andrew Ashbee The Six-Part Consort Music of John Jenkins: An Editor's View
Wendy Hancock General Rules for Realising an Unfigured Bass in 17th Century England
 
  Volume 8 (1978/79) - (download.pdf - 1.4Mb)  
 
CONTENTS (click to open and close)
Frank Traficante Music for Lyra Viol: Manuscript Sources
Ian Gammie Sylvestro Ganassi: Regola Rubertina (1542), Lettione Seconda (1543).
  A Synopsis of the Text relating to the Viol
Peter Allsop the Role of the Stringed Bass as a Continuo Instrument in Italian
  Seventeenth Century Instrumental Music
Wendy Hancock The Frequency and Positioning of Ornaments in French Viol Music (1685-9)
Adrian Rose The Playing Technique of the Dessus and Pardessus de Violes
Gordon Dodd Matters Arising from Examination of Lyra-Viol Manuscripts
 
  Volume 9 (1980) - (download.pdf - 5.9Mb)  
 
CONTENTS (click to open and close)
Richard Charteris Another Six-Part Fantasia by Martin Peerson?
Sheila Marshall Viols in School
Adrian Rose The Solo Repertoire for Dessus and Pardessus de Violes
Gordon Dodd Matters Arising from Examination of Lyra-Viol Manuscripts
 
  Volume 10 (1981) - (download.pdf - 1.5Mb)  
 
CONTENTS (click to open and close)
D. & J. Baker The Browning [I]
Michael Goater The Maker's Viol
David Pinto The Fantasy Manner: the seventeenth-century context
 
  Volume 11 (1982) - (download.pdf - 1Mb)  
 
CONTENTS (click to open and close)
Carol Gartrell The Origins and Development of the Baryton
John R. Catch The Gambino
Richard Charteris A Postscript to 'John Coprario: A Thematic Catalogue of His Music with a
  Biographical Introduction' (New York 1977)
Ian Graham-Jones Some Random Thoughts on Pitch in English Viol Consort Music in the
  Seventeenth Century
Andrew Ashbee A Not Unapt Scholar: Bulstrode Whitelock (1605-1675)
Adrian Rose Another Collection of Pieces by Charles Dolle
 
  Volume 12 (1982) - (download.pdf - 5.2Mb)  
 
CONTENTS (click to open and close)
John Harper The Distribution of the Consort Music of Orlando Gibbons in Seventeenth
  Century Sources
John M. Jennings Thomas Lupo Revisited - Is Key the Key to his Later Music?
Lynn Hulse John Hingeston
Gordon Dodd Tablature Without Tears
Hazelle Miloradovitch Eighteenth-Century Manuscript Transcriptions for Viols of Music by Corelli &
  Marais In the Bibliotheque Nationale, Paris: Sonatas and 'Pieces de Viole'
  Volume 13 (1984) - (download.pdf - 5.2Mb)  
 
CONTENTS (click to open and close)
Peter Holman Thomas Baltzar (?1631-1663): The Incomperable Luciber on the Violin
Alison Crum Improve Your Consort Playing: A Practical Study of John Jenkins Fantasy a 6 in
  A minor, VdGs No. 8
Adrian Rose Marc-Antoine Charpentier's Premiere Lecon du Vendredy Saint: An Important
  Source of Music for Solo Treble Viol
Carl Hugo Agren Diatonic Fingering on Treble and Pardessus Viols
 
  Volume 14 (1985) - (download.pdf - 2Mb)  
 
CONTENTS (click to open and close)
Julie Anne Sadie Handel: In Pursuit of the Viol
Lucy Robinson Notes on Editing the Bach Gamba Sonatas (BWV 1027-1029)
Ian Woodfield The First Earl of Sandwich, a Performance of William Lawes in Spain and the
  Origins of the Pardessus de Viole
Ian Woodfield The Younger Sainte-Colombe in Edinburgh
 
  Volume 15 (1987) - (download.pdf - 1Mb)  
 
CONTENTS (click to open and close)
Joan Wess Musica Transalpina, Parody, and the Emerging Jacobean Viol Fantasia
John R. Catch Praetorius and English Viol Pitch
Richard Charteris English Music in the Library of Moritz, Landgrave of Hessen-Kassel, in 1613
Graham Dixon Continuo Scoring in the Early Baroque: The Role of Bowed-Bass Instruments
Margaret Urquhart The Handwriting of Christopher Simpson
 
  Volume 16 (1987) - (download.pdf - 1Mb)  
 
CONTENTS (click to open and close)
John Bennett John Oker/Okeover
Richard Charteris The Origin of Alfonso Ferrabosco the Elder's Six-Part Fantasia C224
Margaret Urquhart Sir Robert Bolles Bt. of Scampton
Virginia Brookes The Four-Part In Nomines of John Ward
Robert Ford Clement Woodcock's Appointment at Canterbury Cathedral
 
 
  Volume 17 (1988) - (download.pdf - 1.5Mb)  
 
CONTENTS (click to open and close)
Ian Payne British Library Add. Mss 30826-8: A Set of Part-Books from Trinity College,
  Cambridge?
Graham Nelson The Lyra-viol Variation Sets of William Corkine
Graham Strahle Fantasy and Music in Sixteenth and Seventeenth Century England
John R. Catch James Talbot's Viols
  Volume 18 (1989) - (download.pdf - 1.2Mb)  
 
CONTENTS (click to open and close)
Pamela Willetts Stephen Bing: A Forgotten Violist
Calum McCart The Panmure Manuscripts: a New Look at an Old Source of Christopher
  Simpson's Consort Music
Michael Fleming Viol Drawings
Tim Crawford Constantijn Huygens and the 'Engelsche Viool'
 
  Volume 19 (1990) - (download.pdf - 2.1Mb)  
 
CONTENTS (click to open and close)
Ian Payne The Provision of Teaching on Viols at some English Cathedral Churches, c.1594- c.1645: Archival Evidence
Robert Thompson The Sources of Locke's Consort 'for seaverall friends'
Carl Hugo Agren The Use of Higher Positions on the Treble Viol
Dietrich Kessler A Seven-String Bass Viol by Michael Colichon
 
  Volume 20 (1991) - (download.pdf - 2.7Mb)  
 
CONTENTS (click to open and close)
Robert Thompson 'Francis Withie of Oxon' and his commonplace book, Christchurch, Oxford, Ms
  337
Pamela Willetts John Barnard's Collections of Viol and Vocal Music
Annette Otterstedt The Spoon to the Soup: an Approach to the Lyra Viol
Gordon Dodd A Study in Consort Interpretation: William Lawes's Six-Part Consort Set in G
  minor
 
  Volume 21 (1992) - (download.pdf - 5.5Mb)  
 
CONTENTS (click to open and close)
Margaret Urquhart Was Christopher Simpson a Jesuit?
Pamela Willetts John Lilly: A Redating
Annette Otterstedt
A Sentimental Journey through Germany and England
(trans. Hans Reiners)  
Adrian Rose Rudolph Dolmetsch (1906-1942): The First Modern Viola da Gamba Virtuoso
 
  Volume 22 (1993) - (download.pdf - 3.1Mb)  
 
CONTENTS (click to open and close)
Richard Charteris A Rediscovered Manuscript Source with some previously unknown works by
  John Jenkins, William Lawes and Benjamin Rogers
Francois Pierre Goy Seventeenth-Century Viol Pieces in Settings for Plucked Strings
  (c.1625-c.1700)
Gordon Sandford Coprario's Cadence: Some Thoughts on Coprario's Four-Part Fantasia C21
 
  Volume 23 (1994) - (download.pdf - 5.1Mb)  
 
CONTENTS (click to open and close)
Ian Payne John Ward (c. 1589-1638): The Case for One Composer of the Madrigals,
  Sacred Music and Five- and Six-Part Consorts
Derry Bertenshaw Another Five-Part Piece by Thomas Lupo?
Caroline Cunningham John Coprario's 'Rules how to compose' and his Four-Part Fantasias: Theory &
  Practice Confronted
Richard Charteris A Newly Discovered Manuscript Copy of Christopher Simpson's The Division Viol
Francois Pierre Goy The Norwegian Viol Tablatures
Andrew Ashbee The Society's Indexes: a Way Forward
 
  Volume 24 (1995) - (download.pdf - 8Mb)  
 
CONTENTS (click to open and close)
Robert Thompson A further look at the consort music manuscripts in Archbishop Marsh's Library,
  Dublin
David McGuiness Gibbons's solo songs reconsidered
Adrian Rose The Pardessus de viole: Notes for a master's thesis
Mark Smith The cello bow held the viol-way; once common, but now almost forgotten
 
  Volume 25 (1996/97 double issue) - (download.pdf - 6Mb)  
 
CONTENTS (click to open and close)
Michael Fleming Paintings of viols in England c.1580-1660
Dominic Gwynn The sound of the seventeenth century English chamber organ
Annette Otterstedt The compatibility of the viol consort with the organ in the early seventeenth
  century
Andrew Ashbee The late fantasias of John Jenkins
Matthew Spring The English lute 'fantasia-style' and the music of Cuthbert Hely
Cathie Miserandino- The codicology and rastrology of GB-Ob Mus.Sch.MSS c.64-9: Manuscripts in
Gaherty support of transmission theory
Robert Thompson The sources of Purcell's fantasias
Peter Holman Henry Purcell and Joseph Gibbs: A new source of the three-part fantasias
  Z732 and Z734
David Pinto Purcell's In Nomines: A tale of two manuscripts (perhaps three)
Graham Nelson A case for the early provenance of the Cartwright lyra-viol manuscript
 
  Volume 26 (1998)  
 
CONTENTS (click to open and close)
Bruce Bellingham Alphonso Ferrabosco II: the art of the fantasia
Derry Bertenshaw Madrigals and madrigalian fantasies: the five-part consort music of John
  Coprario and Thomas Lupo
Virginia Brookes The four-part fantasias of John Ward: one composer or two?
Caroline Cunningham Variety and unity in the fantasias of John Coprario
 
  Volume 27 (1999) - (download.pdf - 6.7Mb)  
 
CONTENTS (click to open and close)
Christopher Field The Composer's Workshop: Revisions in the consort music of Alfonso
  Ferrabosco the Younger
David Pinto Marsh, Mico and Attributions
Margaret Urquhart A possible trace of Christopher Simpson (S.J.)
 
  Volume 28 (2000) - (download.pdf - 2.7Mb)
 
CONTENTS (click to open and close)
Michael Fleming Unpacking the 'Chest of Viols'
Tilman Muthesius The English Chest of Viols
Ian Payne 'The first that ever he made': Byrd's First Pavan and Galliard and Techniques of
  Transcription and Reconstruction in the 'Lost' Consort Dances
Hans Reiners Baroque Bows
  Volume 29 (2001) - (download.pdf - 6.5Mb)
 
CONTENTS (click to open and close)
Richard Charteris New Connections between Eastern Europe and Works by Philips, Dowland,
  Marais and Others
Lynn Hulse The Duke of Newcastle and the English Viol
Mark Summers La mort de la viole en France pendant le dix-huitieme siecle: an enquiry into the
  viol's fall from grace
Michael Fleming A Bookseller's Catalogue of 1657
Richard Turbet The Myth of Byrd's Lost Consort Dances
  Volume 30 (2002) - (download.pdf - 1.4Mb)
 
CONTENTS (click to open and close)
Virginia Brookes In Nomine: an obscure designation
Ian Payne New Light on 'New Fashions' by William Cobbold (1560-1639) of Norwich
Anne Graf A Seventeenth-Century Music Manuscript
Samantha Owens The Hand Gamba
  Volume 31 (2003) - (download.pdf - 1.2Mb)
 
CONTENTS (click to open and close)
Pamela J. Willetts Who was Richard Gibbon(s)?
Michael Fleming How Long is a Piece of String? Understanding seventeenth-century descriptions of viols
David J. Rhodes The Viola da Gamba, its Repertory and Practitioners in the Late Eighteenth
  Century
  Volume 32 (2004) - (download.pdf - 4.4Mb)
 
CONTENTS (click to open and close)
David Pinto Placing Hatton's Great Set
  A Little-known Collection of Canzonas Rediscovered: The Canzoni a cinque da
  sonarsi con le Viole da gamba by Cherubino Waesich (Rome, 1632) - FLORIAN
  GRAMPP Towards a More Consistent and More Historical View of Bach's Violoncello -
  LAMBERT SMIT

 

 

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