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THE VIOLA DA GAMBA SOCIETY JOURNAL

The new journal is published approximately annually and continues to be a significant forum for research into bowed string instruments, particularly the viols. As far as circumstances allow, each issue will emphasise a particular 'theme', although non-themed articles may be included alongside these. The first issue, edited by Andrew Ashbee, is concerned with 'sources'. Volume Two (2008), edited by Peter Holman, highlights viol music after the 'golden age' of the seventeenth century. In recent years restrictions on the size of Chelys prevented the appearance of reviews of some important editions and books. Although it is expected that the bulk of sheet music reviews will continue to appear in the Society’s quarterly The Viol, extended reviews of major publications find a place in the new Journal.

Style sheet ... download PDF (89 KB)  

TABLE OF CONTENTS
(in reverse chronological order)

 

  Volume Six (2012) - download PDF (1MB)
 
CONTENTS
  • Editorial
  • Thomas Mace and a sense of 'humour. The case for expression in 17th-Century English instrumental music' – WENDY HANCOCK
  •   1
  • Terpsichore at 400: Michael Praetorius as a Collector of Dance Music – PETER HOLMAN
  •   34
  • An investigation into the anonymous setting of William Byrd's Ne irascaris, Domine for two lyra viols. Part two: 'Harsh progressions and monstrous combinations' – RICHARD CARTER
  •   52
         
    Book Reviews    
  • Aurelio Bianco, Nach englischer und frantzoesischer Art, Vie et oeuvre de Carlo Farina – PETER HOLMAN
  •   67
  • Friedemann & Barbara Hellwig, Joachim Tielke, Kunstvolle Musikinstrumente des Barock – RICHARD CARTER
  •   71
  • Mary Cyr, Style and Performance for Bowed String Instruments in French Baroque Music –RICHARD SUTCLIFFE
  •   80
  • Purcell Society Edition, Companion Series, vol 4: Restoration Trio Sonatas – ANDREW ASHBEE
  •   82
         
    Notes on the Contributors   85

      Volume Five (2011) - download PDF (2MB)
     
    CONTENTS
     
  • Editorial
  •   iv
  • The mystery of Polewheel and his Ground – ANDREW ASHBEE
  •   1
  • A fresh look at B-Bc, MS Litt. XY 24910 – PATXI DEL AMO
  •   14
  • An investigation into the anonymous setting of William Byrd's Ne irascaris, Domine for two lyra viols. Part one: ' … two Base Viols, expressing five partes … ' – RICHARD CARTER
  •   24
  • Viol music on the Internet – PETER HOLMAN
  •   56
         
    Book Reviews    
  • Peter Holman, Life after Death: The Viola da Gamba in Britain from Purcell to Dolmetsch – SIMON McVEIGH
  •   69
         
  • Charles E. Brewer, The Instrumental Music of Schmeltzer, Biber, Muffat and their
  •   74
    Contemporaries – RICHARD CARTER    
  • Christopher Marsh, Music and Society in Early Modern England – ANDREW ASHBEE
  •   92
  • John Harley, The World of William Byrd: Musicians, Merchants and Magnates – ANDREW ASHBEE
  •   94
         
         
    Notes on the Contributors   96

      Volume Four (2010) - download PDF (7 MB)
     
    CONTENTS
  • Editorial
  •   iv
  • Blessed Wings: JOSÉ VÁZQUEZ
  •   1
  • Charles Dieupart's Six suittes (1701–1702) and the en concert Performance Tradition -
  •   6
    MATTHEW HALL    
  • Charles Frederick Abel's Viola da Gamba Music: A New Catalogue – PETER HOLMAN
  •   36
  • The Partiturbuch Ludwig: An Introduction and Thematic Catalogue – MICHAEL FUERST
  •   74
         
    BOOK REVIEWS    
  • Carol A. Gartrell, A History of the Baryton and its Music: King of Instruments, Instrument of Kings – JEREMY BROOKER
  •   103
  • John Birchensha: Writings on Music, ed. Christopher D. S. Field and Benjamin Wardhaugh – ALAN HOWARD
  •   112
  • Michael Robertson, The Courtly Consort Suite in German-Speaking Europe, 1650-1706 – RICHARD CARTER
  •   115
  • Metoda Kokole, Isaac Posch, 'diditus Eois Hesperiisque plagis – Praised in the Lands of Dawn and Sunset' – PETER HOLMAN
  •   124
  • John Cunningham, The Consort Music of William Lawes, 1602-1645 – DAVID PINTO
  •   127
         
    MUSIC REVIEWS    
  • John Jenkins, Five-Part Consort Music, ed. David Pinto – ANDREW ASHBEE
  •   152
  • John Jenkins, Fantasia-Suites, ed. Andrew Ashbee – JOHN CUNNINGHAM
  •   154
  • William Croft, Complete Chamber Music, ed. Harry Diack Johnstone – ANDREW
  •   159
    WOOLLEY    
         
    CORRESPONDENCE    
  • Unequal Temperaments: Revisited – CLAUDIO DI VEROLI
  •   164
  • Notes on the Contributors
  •   183
         
         

      Volume Three, Part One (2009) - download PDF (7.8 MB)
     
    CONTENTS
  • Editorial
  •   iv
  • Lyra Viol Ecclesiastica: A Neglected Manuscript Source in Archbishop Marsh's Library, Dublin - JOHN CUNNINGHAM
  •   1
  • Clamor Heinrich Abel's Dritter Theil Musicalischer Blumen, 1677: A Lost Source of Lyra Consort Music - RICHARD CARTER
  •   55
  • A Jacobean bass viol book in Cornwall - MIKE O'CONNOR, OBE & ANDREW ASHBEE
  •   83
  • The Rediscovery of the Viol in the Jugendbewegung - SANDRA ZYDEK, introduced and translated by Richard Carter
  •   93
         

      Volume Three, Part Two (2009) - download PDF (3 MB)
     
    CONTENTS
  • Byrd's music arranged for instruments by his contemporaries - RICHARD TURBET
  •   113
  • The Identities of the Viols in the Ashmolean Museum - MICHAEL FLEMING
  •   117
         
    BOOK REVIEWS    
  • Michael O'Loghlin, Frederick the Great and his Musicians. The Viola da Gamba Music of the Berlin School - Samantha Owens
  •   131
  • Claudio Di Veroli, Unequal Temperaments: Theory, History and Practice (Scales, Tuning and Intonation in Musical Performance) - Bradley Lehman
  •   137
         
    MUSIC REVIEWS    
  • Joseph Haydn, 28 Divertimenti a tre, Hob. XI, 97-126 (Edition Güntersberg, G179-183) - Carol A. Gartrell
  •   164
  • The Manchester Gamba Book (Facsimile, Peacock Press) - Richard Carter
  •   169
    Notes on the contributors   192
         



      Volume Two, Part one (2008) - download PDF (6.4 MB)
     
    CONTENTS
  • The Nomenclature of the Viol in Italy – BETTINA HOFFMANN translated by RICHARD CARTER and JOHN STEEDMAN
  •   1
  • John Leyden's Lyra Viol Manuscript in Newcastle University Library and George Farquhar
  •   17
    Graham's Copy in the National Library of Scotland – JOHN H. ROBINSON    
  • Laurence Sterne the Musician – PETER HOLMAN
  •   58
  • Laurence Sterne, Charles Frederick Abel and the Viol – CLAIRE BERGET
  •   67
         
    REVIEWS    
  • The Viola da Gamba Society Index of Manuscripts, vol. 2 – David Pinto
  •   76
  • Mary Cyr, Essays on the Performance of Baroque Music– Susanne Heinrich
  •   82
  • William Lawes, The Harp Consorts (PRB Viol Consort Series, no. 62) – John Cunningham
  •   84
         

      Volume Two, Part Two (July 2009) - download PDF (2.3 MB)
     
    CONTENTS
  • The Pardessus Book of Mademoiselle Rochette - RICHARD SUTCLIFFE
  •   1
  • An inventory of DK-Kk, CI, 10; mu 6403 2402 - ANDREW ASHBEE
  •   15
  • Réponce de Monsieur Rousseau—SHAUN K. F. NG
  •   56
  • Notes on the contributors
  •   75
         

      Volume One (2007) -  download PDF (4.2 MB)
     
    CONTENTS
  • Manuscripts of Consort Music in London, c.1600-1625:some Observations - ANDREW ASHBEE
  •   1
  • Continuity and Change in English Bass Viol Music: the Case of Fitzwilliam Mu. MS 647 - PETER HOLMAN
  •   20
  • William Young, ‘Englishman’ - STEPHEN MORRIS
  •   51
         
    REVIEWS    
  • John Jenkins: three-part fantasias (Musica Britannica vol. 70) & Fantasia-Suites I (Musica Britannica vol. 78) - Christopher Field
  •   66
  • John Ward Consort Music (Musica Britannica vols. 67 and 83) - David Pinto
  •   73
  • Anonymous Parisian Gamba duets (France, circa 1750) - Jonathan Dunford
  •   78
         
         


    Offers of articles will be welcomed. Please contact:

    Dr. Andrew Ashbee,
    214, Malling Road,
    Snodland,
    Kent ME6 5EQ

    (e-mail: aa0060962[at]blueyonder.co.uk) If you would like to make comments about the Journal (to be included within the VdGS website) please go to our Comments Form
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