Indexing viol music in tablature is fraught with difficulties. Published sources may be assigned to a specific composer, but manuscript sources generally contain pieces by multiple authors, some identifiable and many anonymous. A specific piece might be credited to several different composers in different sources, appear in more than one tuning, or exist in variant readings. Still other pieces may appear under the same title (such as the eight anonymous sets of variations titled Jemmye) but are not always the same music. These things hinder the creation of a simple catalogue. Finding works in the Thematic listings of the society's Index of Manuscripts however CAN be done, but may require or benefit from some cross-referencing.
In recent years, many of the tablature sources (both printed and manuscript) have been carefully inventoried with a full detailing of their contents. The inventories offer formal page/folio numbers, clarification of the specific tuning for each piece, provisional titles and/or names of composers if necessary, and the assignation of a formal VdGS number. That VdGS number is what enables cross-referencing within the Thematic Index (with its thumbnail musical incipits) since each individual number may be found under a specific composer's name, or within one of the four 'Anon (tablature)' pages. The numbers for anonymous pieces have been carefully assigned, first grouped according to their tuning, and then based on the specific source in which the piece appears. Numbers at the end of each tuning group remain vacant/unused, enabling works that may come to light in the future to be inserted in the appropriate place. Further info about the cataloguing method may be found at the very front of the 04 Anon (Tablature-D) page.
Valuable work on the tablature music in the Thematic Index has been done (and continues to be done) by numerous contributors. Frank Traficante’s initial lists of tablature sources in the 1960s and 70s prompted examination of then-known sources and the creation of thematic entries by Gordon Dodd and Andrew Ashbee. These have since been greatly augmented through the painstaking efforts of Peter Holman, Jo. Wainwright, Robert Thompson, François-Pierre Goy, John Cunningham, Richard Carter and John Robinson who have compiled more presentable inventories for the large prints and manuscripts. Corrections and concordances have been communicated by many players and scholars, over several decades. In 2024, Joëlle Morton created an updated list of the 142 known sources of music in French tablature (or their companion materials). The list appears below, electronically linking to inventories, and any available copies online. Here, the term 'facsimile' references a photographic reproduction of the original document, whether print or manuscript. This webpage and the list of sources is amended as necessary. Please get in touch if you know of something that should be added or refreshed!
Further details about each item in this list have been compiled by Morton and uploaded by Bettina Hoffmann to the European Violadagamba Network website. There, an overview tallies the number of tablature pieces in each document, itemizing the specific tunings employed in each one, the names of known composers from within, and jpg files of representative examples of any ornaments and symbols. A summary pdf provides breakdown of the sources ordered by their provisional dates, provenance, tunings, scorings and terminology. For those researching the lyra viol, a full bibliography of materials that have been written (dissertations, theses, book chapters, articles) may be found here, p187-194.
Joëlle Morton
January 2026
The sources below are organized according to type: first the printed volumes (26 of them), then manuscripts with tablature (103), and lastly any companion materials (13) that are partbooks for ensemble music, 19th century copies of earlier tablatures, staff notation transcriptions, or handwritten notes about the documents. Scroll down to find each source individually listed, itemized by its bibiographic siglum.
DOWNLOAD the Viol Music in French Tablature Sources in a printable pdf format
(a) PRINTED SOURCES
(in chronological order):
The Second Book of Songs and Ayres, London 1601
The School of Musicke, London 1603
The First Part of Ayres, London 1605
Captaine Hume's Poeticall Musicke, London 1607
Musicke of Sundrie Kindes, London 1607
Lessons for 1, 2, and 3 viols, London 1609
Ayres to Sing and Play to the Lute and Basse Violl, London 1610
The Twelve Wonders of the World, London 1611
The Second Booke of Ayres, London 1612
Sacred Hymns, London 1615
Der Hochbetrübt verliebte Hürte Myrtillus, Königsberg [1649]
Unverhofft hochgewünschte Liebes Geschicht, Königsberg, 1650
Georg Neumarks Poetisch Verhochteutschte Geschichte, Danzig, 1651
A Musicall Banquet, London 1651
Musicks Recreation on the Lyra Viol, London 165[?]
** A date for this publication is uncertain because no copies have the final number. It is often cited as 1652, but is possibly later, c1655
Poetisch Lobthonende Ehrenseule, Mühlhausen, 1652
Fortgepflanzter musikalisch poetischer Lustwald, Jena, 1657
Musicks Recreation on the Viol, Lyra-way, London 1661
The Principles of Practical Musick, London 1665, and reprinted as
A Compendium of Practical Musick in Five Parts, London 1678
Musicks Recreation on the Viol, Lyra-way, London 1669
Lessons for the Bass-Viol, London 1671
Musick's Monument, London 1676
Intavolatura zur Viola di Gamba [Wittenberg? c1680]
Musicks Recreation on the Viol, Lyra-way, London 1682
Pièces de Violle, Paris 1685
Musicalische Gemüths Ergötzung, Dresden 1689
(b) MANUSCRIPT SOURCES
(in alphabetical order by country and then according to the institution that holds it):
A-ET, Goëss MS 'A', Utrecht 1664
A-ET, Goëss MS 'B', Utrecht 1668
A-ET, Goëss MS 'II', 1660-70
B-Bc MS Litt XY 24910, George Loosemore lyra consorts, 1670s
**This shouldn't be mistaken for a second manuscript in the same library, that is a 19th century copy
D-B Mus ms. autogr. Hove 1, Hove lute book 1615
D-B Mus. ms. autogr. theor. Tappert, W. 3,1, lyra song "Höchlich werde gezwungen" mid 17thC
D-Kl 2º Ms. Mus. 61[1, music for baryton, 1653, 1669, 1670
D-Kl 2º Ms. Mus. 61[2, Hacquart, A[ugust] K[uhnel], G. Thielke, late 17th century
D-Kl, Ms. 4º Mus. 108.2; continental, many psalm tunes, 1681 or later
D-Kl, Ms. 4º Mus. 108.3; continental, late 17th century
D-Kl, Ms. 4º Mus. 108.4; continental, companion volume to 4o Mus. 108.3
D-Kl, Ms. 4º Mus. 108.5; Willem Deutekom and Gottfried Tielke autograph, early 1700s
D-Kl, Ms. 4º Mus. 108.6; continental, Kühnel, etc, later 17th century
D-Kl, Ms. 4º Mus. 108.7; continental, late 17th century
D-Kl, Ms. 4º Mus. 185; continental, 23 pieces in tab, late 17th century
D-Kl, Ms. 4º Mus. 289; single piece, late 17th century
D-Kl, Israël Anhang 8; 20 pages of tablature basses (for airs, not included), late 17th century
D-Kl, Israël Anhang 28; 15 pieces by Kühnel, c1700
D-Kl, Israël Anhang 30; 6 French pieces (3 are settings of Lully), late 17th century
D-Lüh Ms. hist. 8° 24; Stammbuch Davids von Mandelsloh, single piece by Walter Rowe, 1614
D-WRz Mus. VIII: 12; 100 as yet unattributed pieces, c1650 or later
D-W Cod.Guelf. 34.7 Aug 2°; Partiturbuch Ludwig, 3 pieces for violin and lv, 1662
IRL-DM Z3.4.13; solo lv and lyra consort parts, some dating prior to c1625
IRL-DM Z3.5.13; Narcissus Marsh, English music, 1666
IRL-Dtc 408/1; William Ballet his book, early 1600s
Formerly Dtc D.1.21 (I and II)
F-Pn, Rés 1111; continental, 273 pieces, many psalm settings, 1674
GB-Cu MS Dd.5.20; bass book from broken consort set, with 24 pieces in tablature, copied Mathew Holmes, c1588-1597
GB-Cu MS Dd.5.78.3; 2nd lute book by Mathew Holmes, c1595-1600
GB-Cu MS Dd.6.48; 65 English pieces, June 19, 1671
GB-Cu MS Dd.9.33; 3rd lute book by Mathew Holmes Feb 28, 1600
GB-Cu MS Nn.6.36; 4th lute book by Mathew Holmes Lute Book, c1615
GB-Cu Hengrave Hall Deposit 77 (1); Jenkins, Withy, Clarke, Simpson, Drew, Young
GB-Cu Hengrave Hall Deposit 77 (2); 2 pages only, Jenkins
GB-Cu MS Add.10356; 'Dolmetsch manuscript,' lyra trios, 1640s
The Jeanne-Marie Dolmetsch Collection, of which this is a part, was formerly at Haslemere, Dolmetsch Library (HAd) catalogued as MS II B 3
GB-Cu MS Add.9283; 5 pieces, Germanic mid-17th century
GB-Cu MS Add.9284; Adamus Wolray, 2nd lyra part to 10 pieces, mid 17th century
GB-CHEr DLT/B31; Sir Peter Leycester's Book of Music, 1670
GB-DU Mus 10445; Andrew Bla[i]kie, 1692
The original Blaikie ms (dated 1683) is no longer extant. This version made by Andrew John Wighton, c1866 or earlier, is the earliest of several surviving copies
GB-DRc Bamburgh Mus 179-180; GB- DRc Bamburgh Mus 179-180 treble and lyra parts to lyra consorts, c1700
GB-En Dep. 314/24; Sutherland House manuscript, c1660-70
GB-Eu Mus.m.1; Magdalen Cockburn John music booke, c1660-80
Formerly catalogued as P637 R787.1
*Note that the VdGS inventory has reversed these call numbers
GB-Lbl Add. 15117, Hugh Floyd, c1614-16
GB-Lbl Add. 15118, Richard Shinton, 1633
GB-Lbl Add. 17795, lyra duos and trios, c.1625-1635
GB-Lbl Add. 29481, Adrian Batten, c1630, no pieces, just list of tunings
GB-Lbl Add. 31431 (i and ii), Sir Gabriel Roberts, 1680
GB-Lbl Add. 31432, Richard Gibbon manuscript, William Lawes autograph, prior to 1645
GB-Lbl Add. 36993, mid-17th English, bass partbook in tablature
GB-Lbl Add. 56279, Silvanus Stirrop, prior to 1629
GB-Lbl Add. 59869, Cartwright manuscript, written at the back of Simpson's Division Viol, 1659 or later
GB-Lbl Add. 63852. Sir Griffith Boynton, late 17th century
GB-Lbl Egerton 2971, Rob[ert]us Downes, 1622 or earlier
GB-Lbl Harley 7578, prior to 1655
GB-Lbl MS Mus. 249, Low countries, c1670s
GB-Lam MS 600: Braye/Browne manuscript, c1625-1630
Formerly called the Spencer 'John Browne' manuscript
GB-Mp BRm/832 Vu51: Manchester gamba book, mid-1660s
GB-NTu Bell-White 46: Leyden Viol manuscript, after 1688
Formerly catalogued as White ms.42
GB-Ob MS Mus Sch b.15: Mark Coleman, mid-17th century
GB-Ob MS Don. C.57: Colonel Probert's manuscript, c.1625-50
GB-Ob MS Mus Sch C.61: Francis Withy scorebook, c1688-1700
GB-Ob MS Mus Sch C.84: Jenkins lyra consorts, 1660s
GB-Ob MS Mus Sch C.85: Jenkins lyra consorts, 1660s
GB-Ob MS Mus Sch C.88: Jenkins lyra consorts, 1660s
GB-Ob MS Mus Sch D.217: F[francis] W[ithy] manuscript, 1681-1703
GB-Ob MS Mus Sch D.221: Lyra duos, Robert Langley, c1650-1675
GB-Ob MS Mus Sch D.233, 236: Lyra duos by William Young, 1636, 1641
The companion 'thorough base' parts are in Ob MS Mus Sch E.451
GB-Ob MS Mus Sch D.245-247: Merro partbooks, Mr William Iles, 1673
GB-Ob MS Mus Sch E.410-414: Lyra consorts by John Birchensha, Sept 7, 1660
GB-Ob MS Mus Sch E.430: Little Consorts by Christopher Simpson, Jan 11, 1672/3
GB-Ob MS Mus Sch F.572: English, second half 17th century
GB-Ob MS Mus Sch F.573: Transcriptions of lv music for violin, c1690
GB-Ob MS Mus Sch F.575: Mr William Iles, c1630
GB-Ob MS Mus Sch F.578: 18 short pieces, mid 17th century
GB-Och Mus.87; 3 lyra songs, Elizabeth Davenant, 1624
GB-Och Mus.439; lyra songs and solo lv, Robert Taylor autograph, 1634
GB-Och Mus.531-532; lyra trios (lacking one part), c1610-25
GB-Och Mus.725-727; lyra trios, prior to 1635
GB-Och Mus.1006-1009; partbooks for Jenkins lyra consort (lv part is lacking), before 1664
GB-Och Mus.1014; Mr Rogier, 'Onse Vader in Hemelrijck', Dutch, early-mid 17th century
GB-Leicestershire Record Office DE3502; fragment from Church Farm, mid-late 17th century
GB-SA MS 38470/2; "TB", English 1660-70s
*Note that the VdGS inventory has the wrong shelf number in its title
*NOTE: The current location of this virginal ms is unknown, but its two short lv pieces were copied and shared by Frank Traficante
GB-WOhc MS LM/1083/91/35; Loseley manuscript, English 1687-1688
Formerly in Guildford, catalogued as BG-Gum
NORWAY
N-Ou MS 294 a/b; Peter Bang notebook, 1679
N-Tu XA HA; Mus. 1:1; Nodebog til Viola da Gamba, single partbook with music by Kühnel and Schenck
N-Tu XA HA; Mus. 1:2; set of 2 partbooks music by Schenck, 1716
RUSSIA
R-Span O No 124; Swan Lute manuscript, c1630-1655
S-Kl MS 21.068; Otto Fredrik Stälhammer manuscript, 1697 or later
Lund, UniversitetsbiblioteketS-L MS Wenster G. 28; Christian Wenster Sr, 1704
S-L MS Wenster G. 35; Christian Wenster Sr, early 18th century
S-N Finspång 9096.3; Finspång Castle, English lv music, 1638
S-Skma MS Tabulatur_3; Continental, late 17th century
Formerly held at Kungliga Musikaliska akademiens biblioteket
S-Uu Inst. Mus. hs 4:3; George Hudson, lyra consorts, c1640
S-Uu Inst. mus.hs 4:3a, 1-2; c1660-1670, vln + lv
USA
US-CA MS Mus. 70; William Lawes autograph, lyra trios (lacking 2 parts), 1630s
US-LAuc MS M286 M4L992; Mansell manuscript, c1635
New Haven, Yale University, School of MusicUS-NH Misc. 170 Filmer Ms. 3; 4 pieces for lv solo and lv +bc, 1639
New Haven, Yale University, Beinecke LibraryUS-NHb Osborn Music MS 515; Jenkins lyra consorts, c1680
New York, Public LibraryUS-NYpl Drexel 4175; lyra songs, Ann Twice her booke, 1620s
US-SM Ellesemere EL 25/A/46-51; 7 lv pieces in cantus partbook, mid-17th century
US-Wc M2.1.T2 (17C) Case; 3 pieces, Dubuisson, 1666
COMPANION MATERIALS
(c) Companion partbooks:
GB-Cf Ms 645; bass parts to Jenkins and Simpson lyra consorts in Ob C.88
GB-Ob MS Mus Sch E.451; Bc parts to Ob MS Mus Sch D.233, 236
GB-Och Mus. 1005; Jenkins autograph, staff notation score for lyra consorts
Companion volume to US-Cn Case MS-VM 1.A18 J52c
GB-Och Mus. 1021; bass parts for Simpson little consorts in Ob E.430
US-Cn Case MS-VM 1.A18 J52c; treble and bass parts (no lv) to Jenkins lyra consorts, 1644-5
Companion volume, staff notation score is located Och Mus. 1005
(d) Later Copies of tablature manuscripts or prints:
GB-En Advicates Ms 5.2.19; copy of Ntu Bell-White 46, made by George Farquhar Graham, 1843-44
GB-Lbl Add. 39555; Florence G. Attenborough ("Chrystabel") 20thc transcription of Hengrave Hall 77(1)
GB-Lbl Add. 39556; Miss Ethel C. M. Higgins, 1912 tracing of Mp BRm/832 Vu51
US-Wc M140.F675 (Case); copy of Blaikie/Wighton ms, made by Alfred Moffat (1863-1950)
(e) Staff Transcriptions of earlier manuscripts or prints:
GB-DRc Ms Mus A 27; Philip Falle, c1722-39
GB-Lbl Add. 38783; Sir Edward Ernest Cooper, 1913 staff transcriptions of Mp BRm/832 Vu51
GB-Lcm C41; Moss transcriptions and Rules for Gracing, after 1671
Formerly catalogued as II.F.10
(f) Other:
GB-Lbl Add. 50781; Thomas Lea Southgate, 1914 notes referring to Add. 38783